Arcane‘s second and ultimate season has not solely meant so much to its followers and League of Legends-maker, Riot Games, it’s additionally meant so much to the folks behind the scenes who introduced the Emmy award-winning animated sequence to mild. Furthermore, the present, which is broadly considered one of many best video game adaptations ever, additionally has the additional advantage of centering its epic narrative round a queer couple, Vi and Caitlyn Kiramman.
To achieve insights into the intimacy, love, and battle in Arcane‘s ultimate season (and get juicy particulars in regards to the CaitVi ship straight from the source), we spoke with lead author Amanda Overton and requested her how she, Riot Video games, and Fortiche labored collectively to deliver the present’s most resonant moments to life.
The interview has been edited for brevity.
Isaiah Colbert, io9: Online game variations typically stroll the road for followers with how nicely they comply with their supply materials and whether or not or not they go to the beat of their very own drum. What was your guideline for writing Arcane’s second and ultimate season?
Amanda Overton: The guideline was at all times to make the very best TV present potential. We had been actually lucky that Riot was behind us in saying, “We all know it is a TV present, not a recreation. You do you in the case of making the very best TV present you may.”
Christian [Linke] and Alex [Yee] had been at Riot Video games since there have been solely 40 folks at that firm. Alex really helped create numerous the champions that everyone liked. They usually actually liked the sport, actually liked the followers. We at all times wished to be impressed by the sport, and there was a component of how a lot of the sport and the lore we may draw from in order that followers would acknowledge issues that they liked within the present as nicely.
One of many funniest examples for me is creating the Z-Drive for Ekko in episode seven. He had this lore of getting crafted the Z-Drive, the magic from these completely different shards of magic crystals, and we had been like, “Oh, we’ve shards of magic crystals that is perhaps left within the wall of that thrilling occasion in our sequence.” We thought it might be enjoyable if it was one thing that ended up in that alternate actuality killing Vi, considered one of our favourite characters, then it might take Powder overcoming her emotional trauma with a view to assist him with that. It was a approach to be impressed by the lore and add that emotional dimension we had crafted within the tv sequence.

io9: Arguably, considered one of Arcane’s most gratifying moments was the canonization of Caitlyn and Vi. In a medium that’s typically been accused of queerbating, fetishizing, burying its gays, or outright censoring them, as was the case with The Legend of Korra’s Korrasami, queer animation followers have gotten used to getting the quick finish of the stick to their romances both being closely implied or flatly denied. On-line, you’ve develop into often known as a soothsayer together with your credit on reveals like Monarch and Severance, with their queer illustration. What went into your thoughts when writing an explicitly queer illustration in one of the vital outstanding video game-adapted tv reveals between Caitlyn and Vi?
Overton: Within the very first week of the author room, I used to be like, “OK, the place’s the romance within the present?” And [Link and Yee] had been like, “It’s going to be Cait and Vi. They’ve been hinted at within the recreation, however they’ve by no means been made canon. So we wish our present to make them canon.” And I used to be like, “I may also help you with that” as a result of I at all times liked video video games my entire life. I liked these huge, huge IP reveals and tales. And I feel the primary time I noticed [The Last of Us:] Left Behind, I sobbed. I sobbed for like 24 hours straight as a result of it felt like a queer relationship in an area that I had liked a lot for thus lengthy. It’s actually arduous to acknowledge the absence of a factor, however then once you lastly see it for the primary time, that makes an enormous distinction to me to see and really feel that.
For me, it was simply an enormous duty to inform an epic series-long romance. We had been going to make them endgame. So we needed to make, for me, essentially the most satisfying issues are the journeys which can be most tough to come back by. I used to be like, “Nicely, we’ve bought to make this as arduous as potential. If Caitlyn’s an enforcer, what if enforcers killed Vi’s dad and mom?” That was one thing we invented within the first week of the room so they might have the toughest potential journey to come back collectively.
However we additionally wanted to grasp how they might fall in love. That must be primarily based on mutual respect. The primary hurdle we had was Caitlyn. She’s an enforcer [with] a lifetime of privilege. She didn’t should combat, however she selected to combat. Whereas Vi, for her entire life, felt prefer to get something, she at all times needed to combat. So, she may have a look at somebody who didn’t should combat and selected to combat anyway. That was the kernel of, “Oh, she may respect that in Caitlyn.” If we may discover some motive that these two very reverse folks may respect one another, then we may discover a approach to make them fall in love.
queen of queens pic.twitter.com/E4IJpcM5FU
— mey (@cupc444it) December 4, 2024
io9: Are you able to describe what it was like seeing the enormous CaitVi mural in Brazil?
Overton: No (laughs)! It was so overwhelming. I couldn’t even discover phrases for it. It actually was. The mural on the finale occasion when the scene of them getting collectively lastly occurs—the intercourse scene—the fan response was the loudest of all the finish of the sequence. It was as loud as a jet engine, the sound man informed me.
To see folks cheering a lot for 2 queer characters to get collectively, that’s by no means occurred to me earlier than. You see a large mural of two ladies in love within the middle of a large metropolis. That’s by no means occurred to me earlier than. My 16-year-old self, who felt awkward and peculiar and liked video video games and Star Wars, and by no means felt like she belonged. If she noticed this, she would really feel like she belonged. That’s the explanation I write tales now, so it means the world to me.

io9: One level of rivalry followers have had with the season is its pacing within the second act. Many followers had been hoping Caitlyn’s flip to fascism would last more and be challenged in an enormous approach—seemingly by Ekko (although he’s noticeably absent). Caitlyn does come to grips together with her fall from grace by saying “I do know” somewhat than “I’m sorry” when Vi holds her toes to the fireplace of their confrontation in act three. What does Caitlyn’s “I do know” signify to you?
Overton: I feel we at all times attempt to present with actions—I feel actions are much more highly effective than phrases. So we at all times knew that Caitlyn’s apology to Vi would happen in the best way she was in a position to forgive Jinx. She had Jinx in custody. She may have gotten the justice that she at all times wished. As a substitute, she chooses Vi. In letting Vi escape and have the important thing, there’s a world the place Vi and Jinx disappear, and she or he by no means sees both of them once more. So she very selflessly gave up something she wished at that second to try to take an motion that might be doing the suitable factor—that might be atoning for these errors.
Like she says, you may by no means take again the errors. You possibly can solely attempt to make up for them. And so, I feel that “I do know” is her acknowledging to everybody that “I made errors, and I can’t take them again, however I can definitely take motion to try to repair that.” And ultimately, she provides her eye. She’s keen to die and provides her eye to attempt once more, to try to preserve making up for these errors.
io9: Maddie was a personality Arcane followers liked to hate this season as a result of she served as Caitlyn’s rebound from Vi. From a author’s perspective, was Maddie’s function within the present—to present followers one thing to hate, or was there an added layer of reasoning to place her as a foil to Caitlyn and Vi’s romance?
Overton: The most important romances want obstacles. One of many issues that Caitlyn was scuffling with this season was, “Who am I now that my mother’s gone and I’m the pinnacle of the Kiramman household? Do I’ve to do what my mother wished me to do? Do I’ve to reside the Kirraman title like my mother did, or can I make it my very own?” And so, at first, she leans into the council and the management that her mother did. I didn’t simply need it to be skilled, I wished it to even be private. What would it not appear like if she dated somebody her mother may’ve authorized of? And so, I feel for her, she’s making an attempt on issues to see in the event that they match and realizes they don’t. And that helps her perceive what she actually needs.
io9: Clearly, this interview has develop into the CaitVi interview, so I’ve bought you cornered right here to ask a few of these questions. It goes with out saying that Caitlyn and Vi at all times dug one another within the first season, whether or not or not it’s by means of visible tells like their many microexpressions, stolen glances at one another, match-frame pictures. This season ramped issues up in an enormous approach in a scene the place Caitlyn held Vi prisoner and—as a substitute of whipping Vi’s spit away from her mouth like a standard individual—Caitlyn wiped it throughout her lips. It behooves me to ask, did you have got a hand in concocting that scene? And if that’s the case, what was going by means of both individual’s thoughts at that second?
Overton: The spit scene or the intercourse scene?
io9: The spit scene. We’ll get to the opposite one.

Overton: I feel a storyboard artist or an animator did that. That’s not one thing that I had a hand in. The entire workforce knew from the start that this couple was gonna be the endgame. There have been 400 folks engaged on the present, pitching concepts and determining methods to make them collectively from the size of time they embrace to which course they transfer their fingers. Each single individual was in on this collectively. That’s another excuse there are such a lot of particular little moments between them: as a result of it was such a workforce effort to deliver this to life.
io9: Now we’ve arrived on the intercourse discuss! Arcane’s eighth episode sees Caitlyn and Vi lastly culminating their romance. Had been there any arduous traces or notes you had as deal breakers for a way the intimacy of the love scene can be depicted, and what it completely wanted to have integrated into it? If that’s the case, what and why?
Overton: One other individual that basically helped deliver that to life was the storyboard artist, Silvia [Martelossi]. She, like everyone, put all of their concepts of what they wished to see in there. Our guiding mild was that this was the end result of affection and a romantic relationship in our sequence, so it needed to be higher than that Jayce and Mel intercourse scene. It needed to present extra. It needed to deliver to life all the pieces that these characters had been and had accomplished.
I at all times strategy writing a intercourse scene the identical approach I strategy writing an motion scene [and] a dialogue scene. There should be dramatic twists and turns that occur in that motion that reveals one thing in regards to the characters, from how playful they’re, how weak they’re, and the best way they have a look at one another. Each single second of that, you needed to study one thing new about their relationship. It says so much in regards to the motion of the apology, the motion of Cait having remorse for having hit Vi on the finish of episode three. All of that’s in there. That’s why I’m actually happy with how a lot that scene says about them, the climax of their arcs, and the forgiveness that they’re each keen to have for one another in that second. To me, that crucial factor to do.
And once more, that entire workforce got here collectively. Our storyboard artist, Silvia, actually labored arduous. She crafted numerous fantastic beats, [and gave them] numerous texture there. The episode’s administrators additionally helped. Christian, Alex, everyone had a say. Additionally they actually listened to me. They’re like, “Amanda, what do you assume?” And I used to be like, “Nicely, because the lesbian within the room, what about this?” They usually revered, helped, empowered, and rallied round me to make it really feel as genuine because it may. I do know everybody has a distinct perspective, however to me, it felt like one thing the world hadn’t seen earlier than in a narrative like an enormous online game IP. They simply didn’t exist. I feel we had been in a position to put each single factor into that scene that we wished to place into it.

io9: What’s the significance of their first time being in a jail cell?
Overton: Actually, the primary time that was pitched to me—it wasn’t my unique thought—I used to be like, “Actually, the jail cell?” Everytime you strongly react to one thing, I feel that’s a sign that you might want to lean into it and discover. That’s what storytelling is: having robust emotional reactions to one thing after which determining why. And I used to be like, “Oh, nicely, this could possibly be a approach for Vi to reclaim that house for herself and use that to work by means of a few of her previous trauma or to reframe issues that had been unfavourable in her life to one thing constructive.” I used to be like, “We’re gonna should work actually arduous, you guys, to make this the suitable place for this second.” I feel with the lighting, the framing, and the best way that the administrators orchestrated all the pieces felt stunning.
Once we bought to see her tattoo for the primary time—everybody wished to see her entire tattoo— I used to be like, “Nicely, that’s gonna occur in that scene.” The best way we reveal that bought to be actually stunning and particular for each of them—Cait’s response to seeing my tattoo [and] Cait’s response to all the pieces in that second. Everyone labored actually arduous to make that location work and I feel everybody has a visceral response to that. That’s what you need as a author. You need your viewers to really feel one thing visceral once they see one thing. So I used to be actually happy with the workforce for making that work.
io9: Apart from CaitVi, Arcane season two has additionally accomplished stellar work with different dynamics—with confirmed ships like Jinx and Ekko or an implied alt-universe romance between Silco and Vander. However one of many largest ships to come back out of Arcane exterior of CaitVi is a ship between Jayce and Viktor, thanks in main half to the intimacy of their writing all through the present and the way they exit, because the followers say, in a “cosmic yaoi” type. Was the writing of Jayce and Viktor’s relationship supposed to be strictly platonic, or are followers justified in studying it as romantic?
Overton: Followers are at all times justified in studying issues the best way they need to as a result of that’s a part of making artwork. Once you do a factor for it primarily based on you, it doesn’t even have that means till different folks give it their very own that means. My backstory could be very completely different out of your backstory and my experiences are very completely different from yours so I can solely communicate from my expertise. Once I put a factor that I’ve written out on the earth, then everybody brings their very own completely different experiences to it.
We had been writing them as a loving, brotherly relationship that unambiguously [had] love between them. When it bought to that ultimate second, it was so romantic and exquisite to me once I noticed it for the primary time—the best way Fortiche put it collectively—I used to be like, “Oh, nicely possibly there’s hope [for] these guys to have some future past what the present supposed.” That was actually cool for me to see. If folks need to think about that, I feel they’ll, and that’s fantastic. Now that the present is over, if there’s the potential for that on the market, then that’s potential that our followers can notice for themselves.

io9: On Twitter, you talked about that episode seven, “Faux Like It’s the First Time,” was your favourite episode. Going by the outpouring of fan artwork and Stormae’s tune topping the worldwide charts, it’s protected to say the sensation is mutual. What makes the episode such a standout for you as a author?
Overton: What makes it such a standout is that you simply actually can solely do a standalone or an episode that exists exterior the construction of a present once you efficiently set up the construction of a present. We had been in a position to provide you with a really constant model of how Arcane feels, how Arcane is paced, and the tales that we’re telling. Then we had been in a position to step exterior of that for one episode and make one thing somewhat bit completely different than what Arcane is: one thing extra hopeful, one thing extra colourful, and one thing form of extra of a rom-com. It nonetheless has all of the seeds of Arcane, however I at all times known as it the ’90s romance episode of Arcane. I used to be like, “Sure, that’s one thing I can completely do. Teen romance, I find it irresistible.”
We’ve seen numerous alternate universes now and the way string principle has percolated with the Marvel infinite universe tv reveals doing that. We stated, “Let’s take that and do our model.” As a result of everybody’s so conversant in this proper now, we don’t should spend a lot time explaining the multiverse. Individuals will simply immediately get “multiverse,” which implies we will lean into what the potential of this relationship could possibly be.

Ekko will get to see Benzo once more; he will get to see Vander once more, and he will get to see Milo and Clagger in the event that they grew up. And most significantly, he will get to see a model of Powder who grew up not changing into Jinx. I feel [that’s] what was nice about that episode. We bought to see and picture a future for all these characters that didn’t have one in our sequence. For Powder specifically, we bought to indicate that there’s at all times some Jinx in Powder. Which is vital as a result of within the different timeline we bought to indicate that there’s at all times gonna be some Powder in Jinx.
That was thrilling for us, to have the ability to give extra depth to each of these characters and provides Ekko all the pieces he wants within the different timeline to form of full his arc. He bought disillusioned with the darkness of Zaun and from having to combat so lengthy. We had been ready to make use of the romance and love in that episode to deliver hope again into Ekko’s life in order that he can be combating from a spot of hope once more.

io9: Endings are arduous, although it’s a testomony to the present and your writing that the key grievance from a majority of followers is that they need that they had extra time with the present. When you may broaden something from the present, what component of the present would you have got appreciated to have had extra time exploring and why?
Overton: The second season took 4 years for us to write down and produce. So, we combed over and spent numerous time placing in each scene we thought was vital, monitoring each arc [and] storyline that we may. We’re very happy with how a lot all of these tales landed for folks and the way folks felt emotional connection and understanding of the arcs that we selected to inform. It’s fantastic to listen to that folks’s largest grievance is they need that they had extra time with these characters. That’s a really flattering, humbling factor for a author to really feel like we’ve crafted characters and tales that folks resonate with a lot and so deeply.
If I may simply write a novel or write one thing else exterior of the context of Arcane, I actually liked Viktor’s character. He had one of many largest arcs in the entire sequence. I’d need to dive into his mindset somewhat bit extra and his previous. We had numerous concepts about who he was when he lived in Zaun, who his dad and mom had been, [and] how that formed who he was. So, possibly the Viktor backstory novel can be one thing that might be fascinating.

io9: What does Caitlyn’s query about Vi “nonetheless being within the combat” imply to you?
Overton: I feel the very best endings have at all times left issues unsaid and open to interpretation. These are the endings the place I’m like, “However what did they imply by that?” I used to be like, “Ooh, we nailed that ultimate line.” So many individuals assume one factor, however different folks can assume one other factor about Jinx’s destiny and issues like that, and why they made the alternatives they made. However I feel what Caitlyn [said], what I took away from that was, the issues that they should do are simply starting somewhat than being over.
The characters are fairly younger in our sequence. They’re like of their early 20s or 20 years outdated. And me being in my 40s, I’m like, “That’s a complete ‘nother lifetime with issues that you simply guys should do collectively.” And the issues that I’ve discovered previously 20 years, I’d say that’s most of what I’ve discovered in my entire life. So we wished to say that their tales are simply starting collectively and what they’re going to do subsequent is—it’s form of now as much as the viewers to determine and picture.

io9: You’re set to develope Fortiche’s upcoming sci-fi Greek mythology story, Penelope of Sparta. What ought to followers anticipate out of the sequence given what you’ve achieved with Arcane?
Overton: We’re making an attempt to make use of that the signature Fortiche type to develop a brand new IP that they do on their very own. This was an concept that Fortiche had that they got here to me and pitched. They wished to do a prequel to The Odyssey. They wished to do one thing set in a Greek mythology-inspired world, however with the Fortiche twist on it.
We’ve been engaged on that mission now for a 12 months, creating what’s the story that we like in a distinct world that isn’t the Runeterra and League of Legends universe. I feel you may anticipate romance, you may anticipate trauma, and tragedy. Like all good Greek epics, it’s about how a private household story impacts the political on an enormous scale. You possibly can anticipate numerous tragedy with somewhat little bit of hope.
io9: With Arcane bookended, what are your hopes shifting ahead for future writing tasks? Are there any dream tasks within the wings?
Overton: Clearly, Arcane was a dream mission for me, to get to work on a online game adaptation being such an enormous online game fan. [Arcane is] such an enormous expansive huge world-building present. These are issues I like to deliver to life. Attending to have that canon queer couple as on the middle of the present, these are all my bins checked off in a single mission. However I feel shifting ahead, I would love alternatives to inform extra tales in areas like that. There’s been numerous actually nice variations of video video games popping out just lately. I’m actually excited by the potential future storytelling for these variations and I hope that Arcane can form of pave the best way and open the door to get to do extra tales like that.
All episodes of Arcane are streaming on Netflix.
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